Written extensively for the Guardian Arts Pages about theatre, modern dance, film and classical music. On contract for five years at the Guardian Profile, writing the most in-depth features in British journalism. Subjects included film directors David Lynch, Werner Herzog and Mike Leigh and composers Philip Glass and Steve Reich.
John's travel journalism has included a solo jaunt up the Amazon to investigate Ecotourism, a odyssey across China and a hitching trip across Europe using the Internet to set up rides. Nominated in the category of Digital Journalist of the Year at the British Press Awards.
High-profile articles for Guardian Arts and the Guardian Saturday Review, and for most national broadsheets and magazines in the UK and Ireland, including Time Magazine, The Financial Times, The Sunday Times, The Independent, The Observer, Time Out, and The Irish Times.
South Africa’s fearless theatre-maker Brett Bailey has made a career out of tackling the most difficult aspects of race. His new show features black people in cages, in reference to real 19th-century human zoos – and even some of the performers are uneasy about it
He redefined ballet with his energy, innovation and collaboration with the composer John Cage, his creative and romantic partner for half a century. Now 81, and canonised by the avant garde, he is still at the cutting edge as he comes to London with new work involving computer animation.
It's high-altitude early morning on a rickety old Tupolov flying out of St Petersburg and Valery Gergiev is curled up on a seat by the window, sleeping like a swarthy, stubble-chinned baby.
Is the legacy of the ancient world stifling modern Greek drama? Continuing our European theatre series, John O'Mahony reports from Athens